12/29/2023 0 Comments Disturbing movies icebergRather than scare the viewer, these films seek to make the spectator uncomfortable, usually through unconventional editing and the transgression of both social norms and film technique. Pier Paolo Pasolini’s Salò and the 120 Days of Sodom (1975) - one of the more infamous disturbing films of the 20 th century - is horrifying in its content, as it details the torture, sexual assault, and…er, unique diets of its antagonists’ victims. Yet, one would hardly categorize it as a horror film on par with Friday the 13 thor Texas Chainsaw Massacre.įocus on Assault Funny Games (1997). Most - if not all - disturbing films feature a kind of assault as their main subject. This violence can be visceral ( Martyrs, Antichrist), subtle ( Gummo, Tideland), or even metaphorical ( The Idiots, Dogtooth), but it is always at the center of the plot. It’s not hard to understand why -– violence as a subject makes many people uncomfortable, and it is usually this specific discomfort filmmakers want to explore. Critics Adela Abella and Nathalie Zilka, in their breakdown of Lars Von Trier’s Dogville, examine how the unbearable violence committed against the protagonist, Grace (Nicole Kidman), is so upsetting and disturbing that by the end of the film, the audience is emotionally participating in Grace’s brutal revenge. This identification itself is perverse, as it suggests the same ugliness that prompted the villagers to abuse Grace - and the anger that causes her to retaliate tenfold - exists within the audience too.
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